Questions du Cinéma: Literary
Anti-psychiatry About/Contact Essays on Judaism and Jewish studies Philosophy/Theory/Literature Literary Current affairs commentary Home Critiques
Questioning Zionism
Anti-psychiatryAbout/ContactEssays on Judaism and Jewish studiesPhilosophy/Theory/LiteratureLiteraryCurrent affairs commentaryHomeCritiques
Questions du Cinéma: Literary
Copyright William Heidbreder 2019
Questioning Zionism
"Baby Driver": Between Coolness and Coldness
William HeidbrederApril 11, 2018Comment
"Those who are fine" (Cybil Schaublin, 2017) are not fine: On certain powers of abstraction
William HeidbrederApril 10, 2018Comment
Ruben Ostlund, The Square
William HeidbrederNovember 13, 2017Comment
Reflections on the Philippe Garrel retrospective in New York
William HeidbrederOctober 30, 2017Comment
Seven propositions on Godard and cinematic modernism
William HeidbrederOctober 30, 2017
The enigma of a "Personal Shopper": Olivier Assayas, "Personal Shopper," with Kristin Stewart
William HeidbrederOctober 30, 2017
Note on Pasolini and politics
William HeidbrederOctober 30, 2017
New films on Marie Curie and Stefan Zweig (notes from 2017 NY Jewish Film Festival)
William HeidbrederOctober 30, 2017Comment
Kubrick’s critical view of the technological project in "2001: A Space Odyssey"
William HeidbrederOctober 30, 2017Comment
Luck of the outsider: Stanley Kubrick, "Barry Lyndon"
William HeidbrederOctober 30, 2017Comment
Barry Jenkins's "Moonlight" and the idea of experience
William HeidbrederOctober 30, 2017Comment
The cinema according to Gilles Deleuze and the politics of experience
William HeidbrederOctober 30, 2017Comment
Note on the politics of Lars von Trier and "Antichrist"
William HeidbrederOctober 30, 2017Comment
Poland's melancholy historiographer of the Communist period: In memoriam Andrzej Wajda
William HeidbrederOctober 30, 2017Comment
Vera Chitylova, Daisies (Czechoslovakia, 1966)
William HeidbrederOctober 30, 2017Comment
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