Note on Godard's "La Chinoise"
As in politics, so in art: The National Review does not like "The Velvet Underground" and they aren't saying why
"Fauna" and the trouble with dramatizing the traumatizing
The normality of being the other sex: Sébastien Lifshitz's "Little Girl" in Rendez-vous with French Cinema
Note on theatricality in Bergman's Persona
Notes on spectacle: Tarantino's "Inglourious Basterds"
Some political films for activists and organizers: An essay in fragments
Immunitarian politics and Todd Haynes's "Safe": Some observations
Note on the task of criticism of the arts today
Note on the failure of "Joker"
Images of neoliberalism: Reflections on "Ema" (Pablo Larrain), "A Fantastic Woman," and some related matters
Social life as terror: Cristian Mungiu, "4 Months, 3 Weeks, and 2 Days"
Against "Cinemania": On the culture of seeing films as art and obsession. (Interview with Bill Heidbreder of the film “Cinemania”).
Miklos Jancso's "The Round-up" (1965): A manual for activists, prisoners, and police
A short note on the cinema of Agnès Varda and what it matters (RIP, February 2019).
Pawel Pawlikoswki’s “Cold War”
The question of healing transformations and the (Black) experience: “My Third Eye” by Nova Scott-James
Visconti, "White Nights"
Philosophical reflections on the Holocaust film, "Sophie's Choice"
"Manifesto": Avant-garde discourses in landscapes of neoliberal ruin